![]() You could also use the word "clues" for cues as these are the "clues" that tell the visual system about the 3D components of an object or space. These cues may be monocular (single-eye) or binocular (two-eye) cues to depth. This one was too much like Tim's BURY THE HATCHET for my long memory, but I enjoyed the novelty of the gridwork.Stereopsis (depth perception) is the visual ability to perceive the world in three dimensions (3D) - length, width, and depth - which then allows a person to judge where an object is relative to him or her.ĭepth perception arises from a variety of visual stimuli referred to as depth cues. An early one impressed me most with its perfect single square popping out, and MAN OVERBOARD is high in my list of perfect rationales for breaking outside the box. The NYT crossword has had a long history of "letters outside grid" puzzles. ![]() What an Unamerican thing to do, including anti-Alaska sentiments … oh. I should explain ORDER's clue - it's bigger than a family, in that it's one step up in the levels of taxonomy. Doesn't have anything to do with the theme, but man, is it pretty.Ĭrossword radar activated … thinking of flame-related ideas … I'm a huge fan of mirror symmetry, and even more so when we get neat visuals like Trenton's torch in the center. That would have been a great throwback, although its U may have made gridwork tricky. A search for *UFT in our Finder turned up the STAY PUFT Marshmallow Man. EYES LEFT and SEMI SOFT are more neutral than SCISSOR LIFT, but they work.Īll in all, a nice variety of -FT ending words, although it'd have been great to get a -UFT ender to round out the set. My only tidbit of recollection about WILLIAM HOWARD TAFT is that he went on to become Chief Justice of the Supreme Court, but now I'll remember him for his full name in today's puzzle. At 17 letters, IF YOU CATCH MY DRIFT feels fresh and spicy. One aspect I enjoy about "outside the grid" puzzles is their ability to include theme entries longer than 15 letters. Yeah, I know, it rolls right off the tongue, doesn't it? I'm also a bit impressed that they were able to come up with a colloquial equivalent for IF YOU CATCH MY DRIFT without repeating any of its words, which I found monstrously difficult to clue for that reason, resignedly going with the not-at-all ungainly. I thought the new clues for 43-Across and 1-Down were nice additions from the editorial team. In the bottom portion of the grid, I thought SPY SWAP and ASH TREE were nice answers crossing three themers apiece, and I'm partial to the quirky lower-right corner where OAR and ORR meet ORZO and ORDER (I hope ORE and OREO don't feel too left out).Īs far as clues go, a few of mine I'm glad to see make the final version are those for 27-Across, 32-Across, 44-Across, 61-Across, and 9-Down. Fortunately, running non-thematic 10s alongside them ended up working out, without having to make too many concessions. It was important to me to have the bottom part of the puzzle connected to the top by more than just the grid-spanners, particularly as the grid spanners appear incomplete until you understand the trick. ![]() Once I eventually hit upon the solution of using FT instead, it was still some time later before I came up with the 17-letter IF YOU CATCH MY DRIFT to match the grid-spanning WILLIAM HOWARD TAFT.Įven then, I wasn't sure I would be able to get a grid to come together, given all the theme material in such close proximity at the bottom of the puzzle, so I was pleased to find a nice arrangement for stacking some of the themers. This one came from the realization that SIX FEET UNDER would make a good revealer for a letters-below-the-grid puzzle, but my original idea was to have FOOT underneath the grid six times, until I couldn't come up with enough symmetrical theme answers.
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